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Composition for piano and live electronics, a part of cycle .happiness, stereoversion. Piano part – Vladimir Gromadin.

Live piano and many smallest reflections of piano sounds among the electronic clouds. This composition is at the turn of academical electronic music, minimalism and relaxed new age composition.

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Nikolay Khrust finds immanent properties of music and its hidden phenomenons. This is represented in his works by deep learning of the musical instruments and submersion into their capabilities.

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Performers: Department of Defense' Symphony orchestra, conductor – Sergei Durygin. Recorded live at Great Hall of Moscow conservatory, June 21, 2006.

Genesis includes elements of different styles and their transformations. The title represents the essence of that transformations as they create a new quality of musical form and time becoming a musical material.

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For mezzo-soprano, organ, string quartet and percussion.

Performed by: State Ippolitov-Ivanov Music Institute, Maria Kondrashkova (mezzo-soprano), Garri Eprikyan (organ), Alexandr Leyer (percussion). Conducted by Vyacheslav Valeev.

Credo is composed on the request of the India delegation in Moscow. The initial concept was the synthesis of traditional Indian and European cultures. But this time I was more interested in the Catholicism and it's interaction with Orthodox culture and the Islam. And this eternal problem that is always in the focus of my works is also represented here inCredo...

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Metamorphoses is a composition for 12 performers which lasts 11 minutes.

Concept

12 stages of transformation of a sound «d»: space, pitch, rhythm, spectrum, number, harmony, polystructures, mutation, matter, form, time, energy.

In the basis of the piece there is a mathematical proportion 3:1:2:1:3. The musical intonation system leans on this proportion and is not changed during the piece. The only thing that changes is an aspect angle of how this intonation system is being showed, thus giving us full impression of the main idea. From the timbre point of view the piece presents a logic of development several timbre lines. This development organizes a special music space.

Instruments

Flute, clarinet B, trumpet B, horn F, trombone, 2 percussions, 2 violins, viola, cello and double bass.

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Concerto for cello and five wind instruments. Performed by eNsemble (ProArte Institute, final round of Step to the left competition. February 8, 2008).

Adagio molto is based on a one-part instrumental concerto's framework that includes two themes, virtuosic cadenza and the opposition of a solo instrument and the ensemble. Title is related to quite low main tempo, but also emphasizes lyric aspect of composition, which is hidden and broken by outward hardness of material and “some deliberately provocative musical gestures”.

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Performed by Alex Kruglov on basset horn and Alex Nadzharov on live electronics. Recorded November 21, 2007 at Rachmaninov Hall of Moscow Conservatory

The main concept is an interaction of a musician that freely interprets the score and the electronic algorithmic part in Max/MSP making all sounds from recombining and processing the live sound source

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Electronic piece

“...a fast change of alternating images that remain a part of a single process while they appear and disappear. Piano part is dominating above that flow, emerging other sounds and images and then gradually uniting in a single spot of sound, like in an impressionists' paintings...”

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Performed by Stepan Fedoseev, Dmitry Spiryaev, Timur Saifullin, Alexandr Anisimov

Author offers a wikipedia article about “Chain of dreams” instead of the annotation.

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First movement:   
Second movement:   

Performed by: Pavel Studennikov (flute), Kirill Kuzmin (piano)

Endless motion, always the same thing being repeated, but being different each time. Sound and rhythmical impulse and its gradual fade out..

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Label presents music of Moscow conservatory's composers: contemporary classical, electronic music and avant-garde. Since November 15, 2008, 15:15.
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